Florence, December 2015
Mandragora
cm 29 × 38, 396 pp.
over 400 color illustrations
3 fold outs
hardcover, covered with silk, with jacket and slipcase

 
 

“A Gentleman’s Refuge”

A work by Anthony Foster

…….having received an invitation from a “gentleman” – a horse lover and Renaissance man – to redesign, enlarge, decorate and acquire artworks for a villa, conceived to function as a “refuge” in the spirit of contemplative serenity.
The task provides an opportunity to work in complete freedom, enjoying a dialog with the linguistic variety of our times, free from all restriction as regards periods and genres. The result is a structured ambience, at once eclectic and also dynamic and fluid. It is characterized by a composed atmosphere of refined sobriety, classical in terms of symmetry while at the same time whimsical and lucid in temperament.
The majority of the artworks – statues and amphorae originating from Classical Greece, Magna Graecia and Ancient Rome, paintings by Italian and European masters of the 15th-16th centuries, paintings by modern masters, outstanding Oriental carpets, and much besides – were sourced in the European and American antiques markets, in private collections and auction houses.
However, most of the furniture and many accessories are evidence of “Made in Italy”: a bespoke production inspired by an illustrious artisan tradition, hallmarked by aesthetic perfection and the exceptional quality of the materials and craftsmanship revealed in the smallest details and finishing touches.
This sumptuous large-format volume, which perfectly reflects the exceptional scope and taste of this creative experience, has been produced, like the project itself, with the highest regard for quality in every respect. Sharing aspects of the photo album and the art catalogue, complete with essays by leading experts, it offers a discreet interpretation of modern neo-classicism and stands as a testament to the dexterity, virtuosity and passion of the author.

When I first began to put together in my mind what I wanted to accomplish in the interior of the project and to visualize the possibilities relative to the objects that would be involved I had, for some time, a strong desire to somehow combine the old with the new. By that mean artworks that are of a very high artistic and historical importance combined with the most select contemporary designed furniture and decorative accessories available. Objects that are of known importance and quality. I somehow feel the need to be surrounded by objects that are considered to be superlative, regardless of genre, and my hope was to convey that concept to the owner. In my opinion the energy that is present and emitted by objects that have a superior level of quality is more harmonious and in fact more powerful than the energy that is present in mundane or inferior quality objects. It is in the feeling of that power that I am searching to replicate in the sphere in which I live, or in the case of the project, the environment of the villa.